Dressing First Ladies of the US: A 1939 Maybelle Mercer Paper Doll Book

Long before the Smithsonian mounted its popular exhibition about the First Ladies of the United States, which includes actual gowns that were worn at their husbands’ inaugural balls, there was a paper doll book.  Designed by Maybelle Mercer, it’s a  parade of gorgeous dresses worn by the female residents of the White House from Martha Washington to Anna Eleanor Roosevelt. Four smartly coiffed paper dolls are printed on the back cover   Tall and slim, the lengths of their torsos and limbs indicate that they must be as tall as professional basketball players.  Their alluring undergarments are entirely modern–forerunners of Spanx, perhaps?  Not a token corset for historical accuracy in sight, but none of these lovelies would need that foundation garment to fit into a dress with a wasp waist.  Long skirts will conceal their sleek high-heeled pumps.

To stage a fashion show of the First Ladies’ finery, the dolls must be punched out and mounted on the stands provided. Then the gowns must be curated.   Each dress includes a biographical sketch of the original owner and information about the fabrics, styling, and occasion when it was worn.  Notice that paper facsimiles of these late eighteenth- and early nineteenth-century gowns have two unwieldy tabs to secure them to the dolls’ shoulders.The fun facts about the dresses may have taken from some other source, perhaps some between wars Smithsonian publication or exhibition.

This plate pits Mrs. Woodrow Wilson against Martha Jefferson Randolph.  Choosing between these two visions in black and white is difficult, unless your loyalty to Princeton is unconditional…

Maybelle Mercer’s paper doll book seems to be relatively common on the collectibles market, so perhaps many of the original purchasers never could bear to take out  scissors and cut the dresses away from the copy, leaving an untidy pile of irregularly shaped bits and pieces.  Or perhaps Saalfield the publisher kept it in print for some time.

Discovering this paper doll book in the stacks  on a quest for tigers to be displayed in the “Welcome Back, Tigers” exhibition for Reunions was a pleasant surprise.   Cotsen’s collection of paper doll books does not have all that many of the “famous faces” type, except for  ones about Twiggy and Shirley Temple, which were recent acquistions.  A future post for the sets featuring twins, children of different ethnicities, etc. is clearly in order.  Until then, if you’d like to see more paper dolls in Cotsen, take a look at the post about the ones designed by Elizabeth Voss

The Spirit of 1776: An American Copy Book Older than This Country (Slightly)

34370frontwrapper

34370, front wrapper with an engraving illustrating a fable.

Since we are inaugurating a long weekend celebrating Independence Day today (huzzah for a holiday on Monday!), I thought it might be appropriate to share an equally important contemporaneous manuscript to the Declaration of Independence from the Cotsen collection.

The above image is the front wrapper of Samuel Holbrook’s copy book. Composed between June and September 1776 in  Hartford, Connecticut and Boston, Massachusetts, this copy book is a rare written artifact that has survived from the time of the founding of this country. A copy book (or copybook) is an educational practice book in which a pupil practices penmanship and the basics of reading (and often arithmetic) by copying as closely as possible passages from an engraved instruction manual. So of course, they often contained alphabets of Roman and italic letters, upper and lower case to copy.

page [8]

page [8]

Sam Holbrook’s copy book happens to have an entry that is a day earlier than a very auspicious date for this country:

34370page[1]

page [1]. Notice that Sam is using red ink for the headings and black for the precepts.

As you might have guessed, besides learning the rudiments of penmanship, copy books were often meant to be morally instructive  by providing life advice. These kinds of proverbial couplets pictured above, and other aphorisms, are typical  fodder for copy books and other forms of moral instruction throughout the  eighteenth century (think of the various kinds of “sayings” from the wildly popular Poor Richard’s Almanac).

page [11]

page [11]. Notice that Sam used red, blue, and black ink on this page.

 Either Samuel Holbrook hadn’t heard the recent news about independence or had (Gasp!) Tory sympathies. In the image below, Sam has copied out an extensive praise of British merchants and their far-reaching benefits:

page [13]

page [13]. Sam was probably using a British copy book, which might also explain all the pro-English sentiments.

 If you want to read more about how this Cotsen copy book has been featured in our public outreach program, Cotsen in the Classroom, check out this blog post by Dr. Dana on her blog: Pop Goes the Page.

Happy Fourth of July, everyone!