Ese día, como todos los días desde que, hace tres semanas, llegamos a Nueva York, me levanté a las cinco de la mañana y, procurando no despertar a Patricia, me fui a la salita a leer. Era noche cerrada todavía y las luces de los rascacielos del contorno tenían la apariencia inquietante de una gigantesca bandada de cocuyos invadiendo la ciudad.

Read the full article in El País

The Princeton Bulletin just ran an article on Mario Vargas Llosa’s semester in Princeton. You can read it here.

In a recent conversation about Brazilian culture, Schwarcz, who spent last semester at PLAS, said:

It is strange how nowadays Brazil has a new image coming from abroad. We used to be seen as “exotics”; a country of Capoeira (a Brazilian form of martial art), Candomblé (a syncretic African religion), Carnaval, and the “Mulatas.” Now we continue to be viewed as exotic, but the exoticism has a new ingredient: violence, even a new aesthetics of violence, mainly in the way Brazil is portrayed in contemporary films, like City of God. The fascination with favelas among many people outside Brazil is ambiguous. On the one hand, favelas are seen as violent communities, subject to violent leaders outside the authority of the state. On the other, they are just “different”–scenes of a culture outside the dominant culture, with its own special way of partying, dancing, playing soccer.