Les Discours du Pince-Gueule (1966)

Image

silva-discours-du-pince-gueule41-634x1024

“I would like to share with all of you that the Library’s Graphic Arts Collection recently acquired the artist book Les Discours du Pince-Gueule (1966), a beautiful collaborative piece between Julio Cortázar and the artist Julio Silva.  Along with the book, we were also fortunate to acquire many of the drawings and proofs that led to the 1966 limited edition, as well as several albums of photographs of Silva and Cortázar by photographers Pierre Boulet, Colette Portal, Yan Voss, and by Cortázar himself.
To view selected images and read more about the acquisition, please see a posting by Julie Mellby, the Graphic Arts Curator, at https://graphicarts.princeton.edu/2014/12/01/julio-cortazar-and-julio-silva/.

This acquisition was possible thanks to the generous support of Stanley J. Stein, the Walter Samuel Carpenter III Professor in Spanish Civilization and Culture, Emeritus, in honor of Barbara H. Stein, Princeton University’s first bibliographer for Latin America, Spain and Portugal.  Thank you so much, Stan!”

-Fernando Acosta-Rodríguez

With one Cuba program out, new program to be offered this spring

The Program in Latin American Studies will begin offering a new study abroad program in Cuba starting in spring 2015 to students with an interest in Latin American culture, politics and history.

The Office of International Programs website describes Princeton in Cuba as a semester-long program with a curriculum focusing on the “contemporary culture, political economy, history and anthropology of Latin America.”

Visiting Fellow João Cezar de Castro Rocha on Lyricism and Exile in a Brazilian newspaper: “a inteligência dos alunos de Princeton contribuiu muito para a reflexão que agora apresento”

A Lírica do Exílio e a cultura brasileira (1)

— Joâo Cezar de Castro Rocha

A forma do exílio?
Nesta e nas próximas duas colunas, estarei propondo uma reflexão sobre a centralidade do exílio na cultura brasileira. Como entender o fenômeno? Por que a distância se impôs como condição necessária para o exame de determinados traços da experiência histórica nos tristes trópicos?

O breve estudo de dois poemas constitui um ponto de partida conveniente. Penso em Doçura de amor, de Domingos Caldas Barbosa, aparecido na coletânea Viola de Lereno (1798), e em Música brasileira, poema de Olavo Bilac, saído em Tarde (1917).

Continue Reading