Juan José Saer manuscripts, 1958–2004 at Princeton University Library

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The Man­u­scripts Divi­sion has recently added the man­u­scripts of Argen­tinean writer Juan José Saer to its pre­mier col­lec­tion of archives, man­u­scripts, and cor­re­spon­dence by Latin Amer­i­can writ­ers and intel­lec­tu­als. The col­lec­tion con­tains numer­ous note­books, notes, and drafts of Saer’s nov­els, essays, short sto­ries, poems, and inter­views. Sev­eral items in the col­lec­tion are unpub­lished. Also included are back­ground mate­ri­als for Saer’s posthu­mous novel, La Grande, and some pho­tographs. A detailed find­ing aid is already available.

Juan José Saer, the son of Syr­ian immi­grants to Argentina, was born in Serodino, a town in the province of Santa Fé, on June 28, 1937. He stud­ied law and phi­los­o­phy at the Uni­ver­si­dad Nacional del Litoral in Santa Fé, and taught film his­tory and crit­i­cism at the same insti­tu­tion. He moved to Paris in 1968, where he taught lit­er­a­ture at the Uni­ver­sity of Rennes, and lived in that city until his death in 2005. Although Saer spent most of his lit­er­ary life out­side Argentina, much of his fic­tion was set on the area of north­ern Argentina known as el Litoral. Among his lit­er­ary works are the nov­els Cica­tri­ces (1968), El limonero real (1974), Nadie, nada, nunca (1980), El ente­nado (1983), La ocasión (1988), La pesquisa (1994), and the book of poems El arte de nar­rar (1977). Saer is con­sid­ered by some crit­ics to be the most impor­tant Argen­tinean writer of the post-Borges generation.

Photo cap­tion: Pho­to­graph of Juan José Saer [Juan José Saer man­u­scripts, Box 13, Folder 9].

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